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Rihanna's Plastic Heels Will Make You Sweat Just Looking At Them

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Rihanna’s casual Tuesdays are fancier than our wild, wild thoughts, so it makes sense her street style is also out of this world. 

The singer stepped out in New York City on Thursday in the ultimate menswear top ― a backwards, double pinstriped blazer ― with jeans shorts underneath.

She added round sunglasses, a white hat, a transparent purse and a pair of clear plastic-encased black heels from Off-White’s upcoming collaboration with Jimmy Choo, according to Footwear News. 

Phresh out the runway.

It’s quite the look. 

Inside her clear purse, Rihanna carried the $4,995 limited edition Alexander Wang and Judith Leiber money roll clutch that was recently carried byBeyoncé, Kim Kardashian and Taraji P. Henson

YES, Rih! 

Kardashian will no doubt be a fan of Rihanna’s plastic purse heels, as the reality star has been avid supporter of the plastic trend since last year.

In September 2016, Kardashian wore a pair of thigh-high, see-through boots that still make appearances in our nightmares: 

Barely-there boots! Yikes. 

We’re sweating just looking at these heels. 

Also on HuffPost

25 Years Later, Madonna's 'Sex' Book Is Still Pop's Most Radical Moment

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Madonna and photographer Steven Meisel arrive at a New York party for

Twenty-five years ago, Madonna put the world in a trance with the release of Sex. Well, she put some of the world in a trance: During its first day in stores, the $50 coffee-table book, which lived up to its carnal title, sold 150,000 copies, and it soon topped The New York Times Best Seller list. Of course, because it was mainstream art promoting libidinous pleasure, a puritanical outcry followed. Many critics, cultural theorists and fans alike found the BDSM-themed photo collection scandalizing, even repulsive. In their eyes, Madonna, who already faced accessions of overexposure following a decade of chart-topping provocations, had crossed the line.

Today, Sex is still the most radical career move a pop star has ever made.

During Madonna’s imperial phase ― the ephemeral period in an artist’s career when everything turns to commercial gold ― she sang about teenage pregnancy, introduced the famous cone bra, burned Christian crosses, simulated masturbation on an arena tour and made a video so prurient that even the youth-centric MTV refused to air it. That was child’s play.

The publication of Sex ― on Oct. 21, 1992, one day after its companion album “Erotica” arrived to mixed reviews ― marked the moment Madonna’s priorities graduated from making you dance to making you horny. Michael Jackson had been grabbing his crotch for years, and Prince wore an assless pantsuit to the 1991 MTV Video Music Awards, but women were only allowed to push so many buttons. The competing female pop stars of the 1980s couched their sexuality in other aesthetics: punk camp (Cyndi Lauper), androgyny (Annie Lennox), anthems about respect (Janet Jackson), love-hungry wholesomeness (Whitney Houston). For Madonna, however, there was a continuum between “Like a Virgin,” the 1984 single that sparked her first brush with controversy, and “Erotica,” a concept album about fornication, conceived in the shadow of the conservative Reagan era and the ongoing AIDS crisis. 

Sex was an audacious thesis statement, calculated enough to piss people off but seemly enough to maintain artistic integrity. No one today would dare emulate it. Even though desire has grown queerer in the intervening years, the think-piece economy would have a field day with the pornographic imagery, brazen bisexuality and postfeminist authorship sandwiched between the book’s aluminum covers.

One of the first photographs, captured in glossy black and white, shows Madonna seated on a stool, wearing bondage gear, breasts exposed. She sucks on one of her fingers while seemingly inserting another into her vagina. Several pages later, a man appears to be eating her out. The rest of the book includes threesomes, men kissing men, women fondling women, dog collars, whips, knives ― everything but graphic intercourse. Throughout, she writes about the pleasure and pain of sex, sometimes scripting letters to a fictional lover named Johnny.

For Sex and “Erotica,” Madonna assumed an alter ego, Mistress Dita. As evidenced with “Material Girl” and “Vogue,” Madonna always idolized Old Hollywood movie stars, and now she’d turned an entire chapter of her career into character-based performance art. Hers was hardly pop’s first alter ego (David Bowie’s Ziggy Stardrust being the primo example), but none that have followed (Janet Jackson’s varying personas on “Damita Jo,” Beyoncé’s Sasha Fierce, Mariah Carey’s Mimi) are as daring or innovative as Madonna’s. 

Madonna described the book’s contents as “fantasy,” but certain naysayers felt Sex was somehow coercing them to adopt her expressions of passion. “Of course, some of us actually like the opposite sex,” a female New York Times critic wrote in a review, encapsulating the paradox inherent in the backlash Madonna experienced. ”[S]ome of us believe it is possible to have great sex without whips, third parties or domestic pets. [...] Maybe Sex can be a warning about what happens when pop icons become bloated, one way or another.” 

Sex was an audacious thesis statement, calculated enough to piss people off but seemly enough to maintain artistic integrity.

Even the reinvention-oriented pop stars who most resemble Madonna ― Britney Spears, Christina Aguilera, Lady Gaga, Miley Cyrus, Rihanna ― have never made political statements as blatant as Sex, if they’ve made political statements at all. Gaga is a prominent LGBTQ ally, as Madonna was long before such advocacy was commonplace in the entertainment industry, but her music has always centered on dance-floor invitations and commentary about the nature of fame. As Rolling Stone suggested earlier this week, “Erotica” and Sex operated more in the vein of Beyoncé’s “Lemonade,” also inspired by sociopolitical strife. “Lemonade” was accompanied by a cinematic visual album; “Erotica” was accompanied by a cinematic book co-starring Isabella Rossellini, Naomi Campbell, Udo Kier, Big Daddy Kane, Vanilla Ice and gay porn actor Joey Stefano. (Fashion fixture Steven Meisel took the photos, and Harper’s Bazaar creative director Fabien Baron served as the art director.)

Sex and “Erotica” were a one-two punch that could have extinguished Madonna’s career. It’s not every day that pop singers hitchhike in the nude and live to tell the tale. “This is not a love song,” she announced at the start of the track “Bye Bye Baby,” a sentiment echoed in the passage that opens Sex: “This book is about sex. Sex is not love. Love is not sex.” Such notions, especially in 1992, ran counter to everything a female celebrity was supposed to be: alluring but not dominating, confident but not powerful, prey but not predator. Madonna, forever popular culture’s savviest self-marketer, was in full control of the way she displayed her body.

After the hoopla subsided and Sex went out of print, Madonna continued to reinvent herself, most significantly as a spiritually enlightened earth-mother, on 1998′s “Ray of Light,” her best album to date. Controversy remained part of her job description. By that point, she’d received so much flak from the media and general public that she could anger without much collateral damage; it’s hard to achieve something more daring than Sex.

Madonna is now routinely mocked for remaining sexual as she nears senior-citizen status. It’s her checkmate. In the end, that pioneering pluck ― crystallized during her “Erotica” stage ― will define her legacy. As Cher, Diana Ross, Céline Dion and Elton John become nostalgia acts, Madonna maintains the same boundary-pushing persona that, circa 1992, nearly tipped her over the cultural edge. That year, when asked whether she feared being overexposed, she said, brilliantly, “Only at the gynecologist’s.” 

Also on HuffPost
Madonna: 56 Of Her Most Memorable Looks

Will The U.S. Ever Win The War In Afghanistan?

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Once upon a time, an insurgent candidate defeated Hillary Clinton, the most prepared potential president in U.S. history, after a nasty, close and historic race.

That’s the story of 2016. But it’s similar to the story of 2008. For all that Presidents Donald Trump and Barack Obama differ, both prevailed in part by playing to a sentiment that’s only getting more popular: disdain for idealistic U.S. military adventures. The two spent countless hours reminding voters that Clinton, as a senator, helped authorize the U.S. invasion of Iraq in 2002. (Trump shrewdly spread the lie that he opposed it.)

In office, Obama spent eight years expanding a global drone war. And Trump is no dove. The new president delights in threats, greenlights the use of the biggest U.S. bombs while trashing international humanitarian norms, and cheers military spending, weapon sales and reduced diplomacy. He bashes American allies and urges other countries to solve problems on their own, as brutally as they like, while cautioning that he will intervene unilaterally at his pleasure.

Both presidents ultimately expanded U.S. military operations in Afghanistan.

American aggression is alive and well. But American empire is struggling. U.S. taxpayers want to know that threats, from Islamist militants to North Korean dictators, are dealt with ― but only by missions carrying no pilots (and therefore unlikely to incur American casualties) or by shows of force. Polls show that few Americans want to take on the troubles of far-off foreigners. Many feel they receive no benefit from Washington’s influence on world order. And almost no one is cheering the news about Afghanistan, the site of America’s longest war.

For folks stateside, there is no prospect that that entanglement will have a happy ending. Most Americans have no conception — not even a Trumpian illusion — of what “winning” looks like. Instead, there’s a yearning for such a vision that is powerful enough to inspire all manner of fever dreams.

This summer, for instance, Trump’s national security adviser told the president one reason to keep fighting in Afghanistan was that the country could eventually be Westernized. He showed Trump a photograph of women in miniskirts in 1970s Kabul. The subtext: Look, they aren’t all scary Muslims! We can (probably) socially engineer a society we like!

Is it victory to secure convenient representations of women’s bodies that keep policymakers happy?

Blackwater founder Erik Prince, responsible for one of the worst massacres during the American occupation of Iraq, offered Trump another mirage. Prince proposed a viceroy system and foreign mercenaries embedded in every part of the fight against insurgents.

Is it victory to give Afghanistan’s Columbia-educated president a farewell handshake and a murmured line about his people being too savage to run their own affairs?

Experts say U.S. “victory” in Afghanistan is about preventing the country from again becoming a haven for Osama bin Laden-level international terrorism or a playground for Chinese and Russian ambitions. The chief problem, they argue,  is a lack of U.S. commitment. This invites brutal refutations: Isn’t so much of the world already that kind of haven? And if Moscow takes on a new crisis, does that really hurt Michigan? Washington’s national security brain trust offers little reason for Americans to try to make the Goldilocks level of investment a 17th time around.

A “win” is nowhere to be found ― and even the half-wins being discussed won’t be easily attained. Afghanistan’s long-suffering people confront the same basic prospect they faced in 2001: a range of pathways to the future. For Americans, there’s only a guarantee of future disappointment.

A version of this article appeared in the October 2017 edition of Newsline magazine in Pakistan, in a section called The Big Question featuring responses to the same prompt from a range of writers.

'Mersal' Controversy: Will BJP's Tamil Nadu Strategy Turn Out To Be A Disaster?

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That the BJP has been running the AIADMK show from behind the curtains is probably Tamil Nadu's worst-kept secret at the moment. A day ago, Tamil Nadu's dairy development minister Rajender Balaji admitted, unabashedly, that AIADMK has to fear nothing and no one because the party has the support of Prime Minister Modi. Anyone familiar with Tamil Nadu's politics will agree that this 'mere paas Modi hai' sentiment defines AIADMK, post Jayalalithaa.

On the face of it, it may seem that having control over the AIADMK would make BJP a force to reckon with in Tamil Nadu. However, what the party did not factor in, in its quest to gain power over Tamil Nadu's politics, is the resistance it faced from the film industry. It may have been prepared for a battle with the Congress-DMK alliance, but Kollywood? Not something they had a defence plan for.

The past week hasn't been the best of the party in Tamil Nadu. First, Kamal Haasan, who isn't anyway a great fan of the saffron brigade, retracted his statement supporting demonetisation. In a column, he not only apologised for supporting demonetisation but also demanded that Prime Minister Modi admit that the decision to demonetize was not an erroneous one, or at least, the way it was implemented was a mistake.

This Diwali, the release of Mersal, starring Tamil superstar Vijay left the BJP stunned. The film pulls no punches in its criticism of the Goods and Services Tax (GST), one of NDA government's trophy projects. It did not help that the BJP leaders didn't let the film take it's natural course and disappear from public memory -- the early reviews of the film were not encouraging with critics pointing out that that it was a rehash of several old Tamil films. Instead, they went at the film hammer and tongs, giving it a new lease of life at the box office.

Sources say that the BJP sees the two developments as potentially threatening to all the work they had done to gain mileage in the state. Considering that both Vijay and Kamal Hasaan have considerable influence of thousands of Tamilians, open criticism against the Centre could make an impression on the electorate.

It didn't also help that Vijay's supporters made #MersalvsModi trend on Twitter, throwing a challenge at the Prime Minister himself. As a result, BJP's attempts to point out what they called was an inaccurate portrayal of the GST, sank.

Kamal was the first to tweet in Mersal's support articulating that once it has passed the scrutiny of the Censor Board, no one can ask a filmmaker to cut his movie again. The South Indian Artistes Association too has spoken in support of the film now.

But the Tamil Nadu unit of the BJP sees a political motive behind Vijay's character criticising the GST in Mersal. Most of them argued that Vijay has done this to further his own political ambitions. In what was a crude, below the belt remark, H Raja, the national secretary of the BJP sought to emphasize Vijay's full name -- Joseph Vijay -- in what seemed like a bid to suggest that his Christian roots has something to do with him critiquing the BJP. One was reminded how Prime Minister Modi, back in 2002, used a similar strategy to question his critics. Irked by chief election commissioner JM Lyngdoh's directives, Modi had sought to spell out his full name -- James Michael Lyngdoh -- not in a matter-of-fact manner, but as a suggestion that he may be close to Congress since he is a Christian.

The narrative around BJP's move to re-censor Mersal has been cast in a way that suggests that the party has hurt Tamil pride. That can't be good news for the party.

The feeling on the street already is how despite the BJP's best attempts to push O Panneerselvam tp capture the AIADMK's top leadership, he could not muster enough support and therefore Plan B of effecting a merger with the Edappadi Palaniswami group had to be kicked in. BJP secured less than 3 per cent vote share and zero seats in the 2016 assembly elections in Tamil Nadu. No wonder several people feel that the party is punching way above its weight in trying to dictate what the state can watch in movie theatres and what they cannot.

While Mersal's GST scene has gone viral, the next movie that is likely to cause a similar or bigger storm would be Kamal Haasan's 'Indian 2'. Given the actor's political inclinations, it's fair to assume that his role as an anti-corruption vigilante, will be a loaded one.

Massive Robot Army Is Here To Destroy Your Foolish World Records

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This is how it begins. 

An army of robots has assembled in China and so far they seem content to dance and break records. The move is almost certainly to lull humans into a false sense of security so we will ignore the obvious threat they pose. 

The 1,069 dancing “Dobi” robots set up by WL Intelligent Technology Co. Ltd. was recognized earlier this month by Guinness World Records for breaking the mark for “most robots dancing simultaneously.”

The total number of dancing robots was slightly higher, but a few keeled over mid-routine and were disqualified by human adjudicators. 

The rest kept dancing... and, perhaps, plotting. 

Guinness said the Dobi robots can also talk, do tai chi and “many other human-like actions.”

The previous record of 1,007 dancing robots was set last year by Ever Win Company & Ltd., also in China. 

Also on HuffPost
Jobs You Wouldn't Think Are Threatened By Robots, But Are

Demonetisation Had The Potential To Be An Effective Policy Had It Been Implemented Well

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Demonetisation is likely to go down as one of landmark decisions in history of Independent India. It will serve as a useful guide to countries across the globe in their monetary experiments to counter black money. It also poses few questions pertinent to the policy discourse of the country. The Indian government apparently had not taken everyone into confidence while announcing the demonetization policy.

The decision was kept under wraps until 8 PM on 8th November, 2016 when Prime Minister Narendra Modi made the announcement public. The intent was to catch the corrupt off-guard. Let us discuss two lessons from this epic experiment: one pertaining to policy formulation and the other pertaining to policy evaluation.

Stakeholder Consultation

The process followed to arrive at the demonetisation policy is intriguing. Unlike Goods and Services Tax (GST), demonetisation hardly solicited inputs of stakeholders to assess its likely impact. Most legislators were not privy to this decision until moments before the announcement.

At the same time, one of the biggest problems pointed out by critics of demonetisation was the lack of preparedness and foresight of the government. This can be attributed partly to lack of stakeholder involvement in decision making process. The reason for not involving the elected representatives need to be examined further.

A friend of mine pointed out that when legislators take oath to office and secrecy and are yet kept out of loop, the Prime Minister is openly acknowledging their corruption. Even when the Cabinet was informed about the decision moments before making the announcement public, an additional precaution was taken. Members of the Cabinet were specifically instructed not to carry their mobile phones.

The very fact that the inputs of elected representatives cannot be solicited due to concerns of 'trust', should perturb us, yet, strangely it does not. We have grown accustomed to it and we are understanding that the Prime Minister has very few he can trust and involve while making such a momentous decision. It is even more disturbing that there was hardly any dissent from those kept out of loop, that they should have been consulted in the decision making process. Is it an acknowledgement from their end that they are not trustworthy?

How can the trustworthiness of elected representatives be ensured? This calls for examining how they stand to benefit if they help those holding black money.

Arguably, such a huge decision would have benefitted from perspectives of diverse stakeholders so that its repercussions could be foreseen to a greater extent and adequate preparation could be taken. It may have also helped the government identify and prevent ways in which black money could be converted to white money. How can the trustworthiness of elected representatives be ensured? This calls for examining how they stand to benefit if they help those holding black money.

Some elected representatives might have black money or could have close ties with those possessing it which could prompt them to protect their vested interests if they are involved in decision making process. Measures to ensure transparency in election financing and stringent monitoring of wealth accumulated by those in power are few steps that can be taken to address this issue.

Policy Evaluation

The evaluation of the demonetisation policy is another interesting area, given that its intended objectives are modified to stay in sync with any intended or unintended positive consequences reported to arise from it. If the initial intent as per the announcement of the honourable Prime Minister was to curb black money and financing of terrorism, it has metamorphosed into increasing digitisation, formalisation and widening of tax base. Given its continuously evolving objectives, how would one evaluate such a policy?

The reason why the government is able to play this game is because of a deeper underlying issue in policy formulation: the lack of a systematic and structured approach to policymaking.

It should be made mandatory that government initiates mechanisms for evaluating a policy or a law as part of its design. This would compel policymakers to set SMART (Specific, Measurable, Attainable, Realistic and Time-bound) objectives, as management theorists would call it.

Would the public have voted the Bharatiya janata Party to power had they known that the move did not yield its initial intended objectives?

Presently, there seems to be a blind-faith in policy making due to which there is a lack of emphasis on validating the underlying assumptions or its intended impact through data.

It is important to gather data to evaluate whether policies created with good intent such as rail travel subsidy, caste-based reservation are effective as envisioned. Evaluation of success of policies or programs should not be left to one's beliefs. The outcome matters as much as the intent.

Lack of a timely policy evaluation mechanism leads to policy makers exploiting the policy intent. While data might have been available with Reserve Bank of India at least till April 2017 that 98.8% of the notes had returned to the system by 13 January 2017, it did not make this information public until August 2017. It seems reasonable that the government would have kept track of the currency that returns to the system, given the intent and magnitude of the decision.

Perhaps, if they admitted that much of the withdrawn currency had returned to the system sooner, it may not have been able to capitalise on the perceived gains of the demonetisation policy in elections in states like Uttar Pradesh and get elected to power. Would the public have voted the Bharatiya janata Party to power had they known that the move did not yield its initial intended objectives? The general public might have considered demonetisation policy to be successful when they went to vote.

'DeMon' will go down as a reminder of how effective a policy could have been, had relevant stakeholders been engaged. It would also serve as a guide on how policymakers can afford to carry out any experiment, but still claim and exploit its perceived success due to lack of a systematic and structured approach to policymaking. Absence of a sound evaluation mechanism rewards the intent over outcome of a policy.

The opinions expressed in this post are the personal views of the author. They do not necessarily reflect the views of HuffPost India. Any omissions or errors are the author's and HuffPost India does not assume any liability or responsibility for them.

The Oldest Animal In The World Is Probably Gay

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Jonathan the tortoise is blind and can't smell, but has excellent hearing.

Jonathan, a 186-year-old Seychelles giant tortoise, met the love of his life way back in 1991.

His carers decided he needed a special someone after the active 150-ish-year-old became irritable and difficult to deal with.

The tortoise partner they introduced him to worked wonders. Jonathan and his partner enjoyed doing almost everything together -- sleeping, eating, and their frequent mating sessions.

For years though, Jonathan's owners had been confused as to why the two -- her name was Frederica -- weren't producing any offspring.

But one day when Frederica required medical care for a lesion on her shell, they realised the reason why. Frederica was male.

That's how it was recently discovered that Jonathan, probably the oldest known living creature, was a little bit gay.

What's even sweeter -- in a St Helena Government press release it was noted that "Jonathan came over and would not leave our side the whole way through" the treatment of his companion.

Jonathan was given as a gift to the remote island of St Helena back in the 1882, along with three other tortoises. While he has since lost his sense of smell and capacity to see, Jonathan retains good hearing.

The exact date of his birth is unknown, but a photograph of Jonathan taken around 1886 suggests that he is around 185 years old.

The news comes as St Helena, a tropical island in the South Atlantic Ocean off the coast of Africa, faces a debate on legalising same-sex marriage. The tiny British territory which is one of the most remote islands in the world has a population of just 4,534. The Legislative Council is currently taking submissions on the matter, and a full Supreme Court hearing will most likely occur in January of next year.

6 Women Wore The Same Dress To A Wedding And No, They Weren't Bridesmaids

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What happens when six wedding guests say “yes” to the same dress?

A potential fashion nightmare ended with a good laugh after six women wore the same exact dress to a friend’s wedding in New South Wales, Australia on Saturday, giving the bridesmaids some unexpected competition. 

“I’ve heard of two women, maybe three, wearing the same dress, but six? You couldn’t make it up,” bride Julia Mammone told the Daily Telegraph.

The navy lace dresses are by the brand Forever New and were reportedly purchased from the Australian store Portmans.

Debbie Speranza, who was among those wearing the dress, recalled the initial shock of seeing others in the same ensemble.

“I turned up and did a double take when I saw my cousin in the same dress and she mouthed ‘oh my god’ back at me from the other side of the reception room,” she told the Telegraph. “Next thing we knew there were four others in the same friggin dress. What a bloody nightmare.”

Speranza went on to post a photo on the brand’s Facebook page that showed them standing together with the bride. “No we are NOT the bridesmaids, just the guests,” the caption read.

The bride told the Telegraph that “we all cracked up about it.”

“It’s every girl’s worst nightmare, what else can you do?” she said.

Speranza’s post elicited a ton of engagement on Facebook, with more than 45,000 likes and 10,800 comments as of Tuesday.

Also on HuffPost

A Donald Trump Tweet Has Inspired A Hot New Death Metal Band Name

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President Donald Trump has now got the best music group name to go with his best words.

While tweeting about the GOP’s latest failed effort to repeal and replace the Affordable Care Act on Wednesday, Trump wrote “the Dems scream death as OCare dies!”

Hundreds of Twitter users immediately thought that “Dems Scream Death” was the greatest name for a death metal band ever ― and most of them are now desperate to see the (as yet totally imaginary) band play live:

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Why Don’t Companies Prioritise Prevention Of Sexual Harassment At Workplace?

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Around a year ago one of the richest business conglomerates in the world, Sweetie Pie*, called me for a discussion about Sexual Harassment at the workplace. Although the text of the discussions was great and all the right words, "women must feel safe", "It's our primary duty to ensure their safety", were being officiously articulated, yet I left the office knowing that nothing concrete would materialise out of the discussion. About two months after the meeting, Sweetie Pie was in the news because they were murmurs of a sexual harassment case that one of the employees had filed against the company. After this incident, they called me frantically to be a part of their Internal Complaint Committee at the workplace, as mandated by law.

According to The Sexual Harassment Of Women At Workplace (Prevention, Prohibition and Redressal) Act, 2013, Chapter II Constitution of Internal complaints committee:

4. Constitution of Internal Complaints Committee. — (1) Every employer of a workplace shall, by an order in writing, constitute a Committee to be known as the "Internal Complaints Committee":

Provided that where the offices or administrative units of the workplace are located at different places or divisional or sub-divisional level, the Internal Committee shall be constituted at all administrative units or offices.

(2) The Internal Committees shall consist of the following members to be nominated by the employer, namely:

(a) a Presiding Officer who shall be a woman employed at a senior level at workplace from amongst the employees: Provided that in case a senior level woman employee is not available, the Presiding Officer shall be nominated from other offices or administrative units of the workplace referred to in sub-section(1):

Provided further that in case the other offices or administrative units of the workplace do not have a senior level woman employee, the Presiding Officer shall be nominated from any other workplace of the same employer or other department or organisation;

(b) not less than two Members from amongst employees preferably committed to the cause of women or who have had experience in social work or have legal knowledge;

(c) one member from amongst non-governmental organisations or associations committed to the cause of women or a person familiar with the issues relating to sexual harassment: Provided that at least one-half of the total Members so nominated shall be women.

(3) The Presiding Officer and every Member of the Internal Committee shall hold office for such period, not exceeding three years, from the date of their nomination as may be specified by the employer.

(4) The Member appointed from amongst the non-governmental organisations or associations shall be paid such fees or allowances for holding the proceedings of the Internal Committee, by the employer, as may be prescribed.

(5) Where the Presiding Officer or any Member of the Internal Committee, —

(a) contravenes the provisions of section 16; or

(b) has been convicted for an offence or an inquiry into an offence under any law for the time being in force is pending against him; or

(c) he has been found guilty in any disciplinary proceedings or a disciplinary proceeding is pending against him; or

(d) has so abused his position as to render his continuance in office prejudicial to the public interest, such Presiding Officer or Member, as the case may be, shall be removed from the Committee and the vacancy so created or any casual vacancy shall be filled by fresh nomination in accordance with the provisions of this section.

If we read the section carefully, we will understand that the law has left no loopholes in protecting women at their workplace, including laying down the composition of the ICC to review complaints about sexual harassment. I was excited to be a part of the committee and to share my expertise on a subject that I am passionate about. But yet again, nothing materialised out of these discussions because of a huge disparity in their words and their actions. Either the timing wasn't right, or the salary offered was a pittance, or their bosses who were the decision makers were unavailable. Basically, all the reasons proffered had a 'dog ate my homework quality' to them, but the underlying subtext was clear: Prevention of sexual harassment at the workplace just isn't a priority.

That's the real issue with Sexual Harassment at workplace-everyone believes that it doesn't exist, except the woman who is at the receiving end. So not only does she have to battle through the scepticism each time she even dares to bring it up, she also has to go through the entire journey of recounting the horrific experience only to face the aftermath of the negative repercussions in most cases. Dealing with sexual harassment is tough.

Even when extremely powerful women like Angelina Jolie who, besides being an A List Hollywood actress is also a UNHCR special envoy, found it hard to speak up against sexual harassment by Harvey Weinstein, think of the challenges faced by an average career woman to speak out. We tend to forget that it takes a lot of guts for a woman to come forward and even take the first tiny step towards even speaking about being sexually harassed and how do we react? Usually by punishing her with either loss of face or ridicule. Or as in Rosanna Arquette's case who got passed over by Harvey Weinstein for roles in his movies because she didn't succumb to his advances.

We tend to forget that it takes a lot of guts for a woman to come forward and even take the first tiny step towards even speaking about being sexually harassed.

Although we don't need a definition of sexual harassment because we all know what exactly it is, yet when it happen we turn a blind eye to it and pretend all is hunky dory and men take it for granted that it's part of the women's job to service them and the company. If her skill sets are better than yours and she has succeeded in life it doesn't mean that she has slept her way to the top and if sleeping around was the way to the top then the poor helpless sex workers would perhaps have been the President of the United States (maybe they would have done a better job than Trump).

It's not the laws that are insufficient but our mindset that makes the laws against sexual harassment at the workplace fail miserably. When companies like Sweetie Pie, amongst many others, take responsibility and don't shove the issues related to sexual harassment on the back burner only then there will be a socio-legal implementation of laws related to prevention of sexual harassment at the workplace. Otherwise, some brave women will continue to speak up, but they have a tough job ahead of them, initially, after which the companies will pay a heavy price like the Harvey Weinstein Company.

P.S. At the time of going to press, the Oscar Board, has expelled Harvey Weinstein from its committee, a first for the Board since its inception over 80 years ago.

The opinions expressed in this post are the personal views of the author. They do not necessarily reflect the views of HuffPost India. Any omissions or errors are the author's and HuffPost India does not assume any liability or responsibility for them.

Oxford Students To Alumna Aung San Suu Kyi: Rohingya Inaction Is 'Inexcusable'

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Students at St. Hugh’s College in Oxford have joined an international chorus of critics in condemning their alumna Aung San Suu Kyi, now the de facto leader of Myanmar, for her response to the crisis engulfing the Rohingya in the country’s Rakhine State.

Undergraduates at St. Hugh’s, where Suu Kyi studied in the 1960s, voted this week to remove her name from the title of their junior common room. The gesture is a protest against her unwillingness to address the state-sponsored persecution of Myanmar’s Muslim-minority Rohingya communities.

The college, which also removed her portrait from its main entrance earlier this year, granted Suu Kyi an honorary doctorate as one of its “most distinguished and remarkable alumni” in 2012.

At the time, Suu Kyi, a Nobel Peace Prize laureate and former political prisoner, was still widely idolized as a champion of democracy and non-violent human rights advocacy. She spent nearly 15 years under house arrest while campaigning against Myanmar’s decades-long military dictatorship, and became the nation’s state counselor in 2016, a position equivalent to prime minister in many countries.

Myanmar State Counselor Aung San Suu Kyi delivers a speech in Naypyitaw, Myanmar. on Sept. 19.

But the activist-turned-politician has been conspicuously silent as a military campaign denounced by the United Nations as a “textbook example of ethnic cleansing” continues to push Rohingyas out of the country at a staggering rate. At least 537,000 refugees ― more than half of Myanmar’s Rohingya population ― have fled to neighboring Bangladesh in a matter of weeks.

Crimes against humanity

In late August, a Rohingya insurgency attacked a number of government security posts in Buddhist-majority Myanmar, where Rohingyas have endured decades of discrimination and extremely limited rights. Twelve officers were killed.

The military unleashed a retaliatory crackdown, which international observers have decried as barbaric and disproportionate. State actors have committed atrocities amounting to crimes against humanity, according to Amnesty International.

After conducting more than 150 interviews with survivors and eyewitnesses, the human rights group released a report this week alleging that Rohingya men, women and children have been indiscriminately killed, burned, tortured, raped and shot, among other abuses.

A drawing by a Rohingya boy illustrates the horrific experiences he endured while fleeing from Myanmar to Bangladesh.

“In this orchestrated campaign, Myanmar’s security forces have brutally meted out revenge on the entire Rohingya population of northern Rakhine State, in an apparent attempt to permanently drive them out of the country,” said Tirana Hassan, Amnesty’s crisis response director. “These atrocities continue to fuel the region’s worst refugee crisis in decades.” 

The report features testimonies from Rohingya refugees recounting horrific tales of being burned alive and watching loved ones die before their eyes while attempting to escape security forces’ gunfire.

Suu Kyi’s silence

Bangladesh is grappling with insufficient resources to accommodate the influx of desperate Rohingyas. Many have traveled by land or sea for days without food.

In September, a boat carrying more than 60 refugees capsized off the Bangladeshi coast. All were presumed dead, including several babies.

As many as 1,800 Rohingya children are making the perilous journey across the border per day, according to a new report from UNICEF.

A Rohingya boy cries as he climbs on a truck distributing aid for a local NGO near the Balukali refugee camp on Sept. 20 in Cox's Bazar, Bangladesh.

But as the crisis escalates, Suu Kyi has remained tight-lipped on the Rohingyas’ plight, despite mounting pressure to speak out and take action. 

She skipped the 2017 U.N. General Assembly in New York, where world leaders discussed Myanmar’s Rohingya exodus in her absence

Suu Kyi has even dismissed accusations of state-sponsored crimes against the minority group as “misinformation.” The government “has already started defending all the people in Rakhine in the best way possible,” her office claimed in a Facebook post last month.

But Myanmar’s government has tightened restrictions on urgently needed aid supplies and services in Rakhine State. It has also denied access to humanitarian groups as well as a U.N. fact-finding mission in the country and other attempted investigations into the alleged and documented persecution.

International outrage

Suu Kyi’s inaction has sparked protests around the world and calls for her Nobel Prize to be revoked.

“I am still waiting for my fellow Nobel Laureate Aung San Suu Kyi” to condemn the “tragic and shameful treatment” of Myanmar’s Rohingya Muslims, 20-year-old activist Malala Yousafzai wrote on Twitter. “The world is waiting and the Rohingya Muslims are waiting.”

South African anti-apartheid leader Desmond Tutu, another Nobel laureate, also issued an emotional plea to his “dear sister” Suu Kyi.

“I am now elderly, decrepit and formally retired, but breaking my vow to remain silent on public affairs out of profound sadness about the plight of the Muslim minority in your country, the Rohingya,” he wrote. “If the political price of your ascension to the highest office in Myanmar is your silence, the price is surely too steep.”

An Indonesian protester burns a picture of Suu Kyi during a rally in front of the Myanmar embassy in Jakarta on Sept. 2.

Less than two weeks after the military crackdown erupted, Yanghee Lee, the U.N.’s special rapporteur on human rights in Myanmar, called the situation in Rakhine “really grave,” and said it was time for Suu Kyi to “step in.”

“That is what we would expect from any government: to protect everybody within their own jurisdiction,” Lee added.

The students at St. Hugh’s are urging others to join them in denouncing their disgraced alumna’s “inexcusable and unacceptable” negligence.

“We must condemn Aung San Suu Kyi’s silence and complicity on this issue and her condonation of the human rights offenses [in] her own land,” they said. “In doing so, she has gone against the very principles and ideals she had once righteously promoted.”

Also on HuffPost
Rohingyas Flee Myanmar Violence

Why Women In Jharkhand’s Pakur District Are Going Back To School

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By Chhandosree*

It is basic education that can help one understand the importance of health, hygiene and nutrition in one's lives and livelihood. Therefore it is natural that education can help communities achieve the Sustainable Development Goals (SGDs), initiated by the United Nations to end poverty, hunger and inequality. With the strong belief that education can help them achieve SDGs, Ilami Panchayat in Pakur district of Jharkhand has laid the foundation for imparting education to all, irrespective of age. Spearheaded by the Panchayat chief Misfiqua Hussain, the supportive community aims to put Ilami as a developed Panchayat on the map of Jharkhand.

While on a visit home, 27-year-old Misfiqua was requested by village women to contest the Panchayat elections in December 2015. She agreed on the condition that the women will study. She was a researcher at the All India Institute of Medical Sciences (AIIMS), after a specialisation in medical biotechnology and molecular medicine. Two years after winning the election and becoming the Panchayat chief, she continues to monitor the educational progress of women — right from 4-year-olds to 70-year-olds in every household.

Why pursue SDGs?

"The SDGs have been set in such a way that if met at the local governance level, we will be developing our region, ultimately adding to the bigger framework at the national level," said the young mukhiya (leader) while speaking to VillageSquare.in. According to her, the far-reaching effects of the SDGs are beyond the comprehension of the rural masses, even when the government is committed to meeting the SDGs through various strategies. "How will an uneducated person living below poverty line (BPL) understand why he needs a toilet or why women should be taken to a medical institution for delivery?" asked Misfiqua. She pointed out that in Ilami Panchayat, around 70% of the population is BPL and around 50% are illiterate. "So education is key to development. Once we educate people they will understand what to advocate for," she said.

Night school for a better tomorrow

According to the 2011 census, the population of Ilami panchayat was 9,804, which is now 11,989. The Panchayat did their own survey in April 2017 to understand the demographic indicators, which reflected the poor status of health, nutrition, hygiene, education, sanitation and livelihood. Misfiqua knew that she would be able to improve all the indicators when she suggested starting a night school, and the older women in the village agreed to join.

Mehrunissa of Ilami village was one of the first to step into the night school when it was started in April 2017. "Taking lessons directly from mukhiyaji was scary initially. She is highly educated. She was particular that we should attend the classes. Now we understand why she wanted us to study," the 60-year-old told VillageSquare.in.

When the women of the Panchayat were successfully motivated to be educated, Mission Jeevan, a comprehensive development program to combat problems right from health to agriculture, was launched. "There are nine targets under SDG 3 on health and well-being. It can be achieved when we start focusing on SDG 4, namely quality education. Through Mission Jeevan we have targeted to bring down malnutrition, improve livelihood, increase institutional delivery, bring down infant and maternal mortality rates, eliminate vector-borne diseases and finally adopting new avenues of vocations within the district by increasing scopes for people in working age," said Misfiqua.

According to 58-year-old Begum Zeba, women used to give birth at home and hence maternal and neo-natal mortality were high. "After we started night school, our education was not about sentence construction or grammar. Rather we were taught to understand the critical signs in pregnant women that needed attention, need for consuming nutritious food during pregnancy, immunization for children and the like," said. "The night school is not just about learning the alphabet ka kha ga gha. It is about learning to transform life for a better tomorrow," added Kajoli Ravidas.

Mission for better health

The survey done in Ilami indicated that for 3,732 women in the reproductive age group, there were only three auxiliary nurse midwives (ANM) and four sahiyyas (Accredited Social Health Activist worker), which was not enough. Traditional birth attendants Kajoli Ravidas, Tiloki Ravidas and many others were trained on basic primary health care related to delivery and complications. When they started attending the night classes, they were also trained about care during pregnancy, calculating expected date of delivery, critical signs during pregnancy, cord care, and ways of keeping the baby warm, all of which are essential for reducing the neonatal mortality rate.

Educated adolescent girls joined hands in educating the older women and also in passing on hygiene messages among their friends and other villagers. "Eight arogya doots (health ambassadors) were selected from among the adolescents to create awareness among the girls and women about healthy habits and break the taboos around menstruation. We have started making sanitary napkins on our own and the elders help us. Knowing that sanitary napkins are more hygienic, one hour in a week is set apart for all women, mostly mothers to learn communication skills so that they can talk freely to young girls and boys about physical changes during adolescence," 20-year-old said Rubina.

Comprehensive development

The villagers now understand that all the development strategies are to lead a healthy life. At the night classes, they discussed impacts of climate change, adverse effect of chemical fertilizers on the adjacent water bodies around the fields and on livestock and human. This has led to the panchayat adopting srividhi or System of Rice Intensification method of agriculture and using organic manure. "We have also cleaned the water bodies and doing pisciculture for better livelihood and to bring down deaths due to malaria, dengue and kala azar. Integrated vector management has been started with community participation," said Md Tabrej Alam, one of the residents of Ilami.

"I think, we have sown the right seeds and at least at the panchayat level we will successfully meet many of the SDGs, which in itself will be a research finding," concluded Misfiqua with smile.

Chhandosree is a journalist based in Ranchi. This article was first published on VillageSquare.in, a public-interest communications platform focused on rural India.

The opinions expressed in this post are the personal views of the author. They do not necessarily reflect the views of HuffPost India. Any omissions or errors are the author's and HuffPost India does not assume any liability or responsibility for them.

Carrie's Spending Behavior Caused 'Sex and the City' Writers' Biggest Fight

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Carrie Bradshaw was a flawed television character with a shopping problem and more than a couple cringe-worthy lines. “Sex and the City” superfans sure had a lot of strong opinions surrounding her love life, but even stronger opinions about her seemingly unrealistic spending. (Did she EVER not take a cab?)

Series writer-producer Amy Harris recently addressed the money issue with CNBC while discussing one of the most contentious episodes of all, the one titled “Ring a Ding Ding.”

It’s the episode in which Carrie, who seemingly spent her entire salary from writing one weekly newspaper column exclusively on pricey shoes, is forced to come up with a down payment of $40,000 or lose her Upper East Side apartment. The unit was purchased by her fiancé Aiden when the building went co-op, and when their engagement ended, he (rightfully) gave her a choice to buy it or move out.

After exhausting a wealth of options, including trying to take out a loan but being told that she has no assets, she takes yet another cab to yell at Charlotte York, her well-off friend, for not offering to help out. Charlotte initially declines to loan Carrie the down payment, citing her desire not to mix money with friendship (editor’s note: smart), but eventually gives Carrie her old engagement ring to cover the costs.

“If people were pissed and hated that Carrie [got upset with Charlotte], I’m OK with that,” Harris told CNBC. “The biggest fight we ever got into in the writers’ room was about the money. That was a very big debate.”

Harris went on to say that “people are funny about money,” and that she believes that the money from Charlotte was in fact, a loan and not a gift. But it’s comforting to know that even the people writing this enraging stuff took some issue with it. 

However, she also acknowledged that either way, things seemed to work out in the end for Carrie (minus, you know, the whole being left at the altar jazz).

“She spent [her money] well on things she enjoyed, and luckily it all worked out well for her,” Harris said. 

So the moral of SATC, it seems, is to keep living outside your means until your exceptionally rich boyfriend proposes and you live (mostly) happily ever after.

Right. 

Also on HuffPost

PM Modi Advised Myanmar's Aung San Suu Kyi Not To Destroy Her Image, Says Sushma Swaraj

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DHAKA -- External Affairs Minister Sushma Swaraj today said Prime Minister Narendra Modi has advised Myanmar leader Aung San Suu Kyi not to "destroy" her image over her stance on the Rohingya issue as Myanmar's military actions in Rakhine state sparked a global outrage.

Swaraj referred to Modi's advice as she called on Bangladeshi Prime Minister Sheikh Hasina after joining the 4th Bangladesh-India Joint Consultative Commission meeting with her counterpart AH Mahmood Ali.

"He (Modi) told her (Suu Kyi) 'you have a very good international image, don't destroy it'," the Bangladeshpremier's press secretary Ihsanul Karim told PTI, quoting Swaraj as saying during her meeting with Hasina at her residence.

It is not clear when Modi made the comments, however, Bangladeshi media reports claimed he said this last month when he met Suu Kyi during his first bilateral visit to Myanmar.

Karim said Swaraj extended her full support to Bangladesh's stance that Myanmar must take back its nationals and must not punish innocent people while fighting terrorism.

"Myanmar may punish the terrorists, not innocent people," he quoted Swaraj as saying.

Swaraj appreciated Bangladesh's stand on the Rohingya issue but described the exodus of forcibly displaced people as a "big burden for Bangladesh".

"It's a big burden for Bangladesh, and how long will Bangladesh bear this?" she said referring to the exodus of the forcibly displaced people who fled the violence in their homeland and took shelter in neighbouring Bangladesh.

Swaraj added there should be a permanent solution of the Rohingya issues and international community should contribute to social and economic development of Rakhine state.

Karim said she praised Premier Hasina for extending all humanitarian support to the displaced people.

He said Hasina narrated the situation after the beginning of the Rohingya exodus since August 25 and her government's initiatives for their shelter.

"We have given them shelter upon the confidence that we would be able to feed the distressed Rohingyas on humanitarian ground," she told Swaraj.

Hasina said Bangladesh had already established an engagement with Myanmar and the Bangladeshi home minister was set to visit the neighbouring county over the crisis.

Nearly 600,000 minority Rohingya Muslims have fled to Bangladesh since late August to escape violence in Myanmar's Rakhine state where the Myanmarese army has launched a crackdown against militants.

Myanmar doesn't recognise the Rohingyas as an ethnic group and insists that they are Bangladeshi migrants living illegally in the country.

Bangladesh has sought India's "sustained pressures" on Myanmar for resolution of the crisis.

Hasina recalled India's contribution during Bangladesh's 1971 Liberation War as well as support to her and her sister Sheikh Rehana after the 1975 assassination of their father - the nation's founder 'Bangabandhu Sheikh Mujibur Rahman - along with most of their family.

Swaraj informed the prime minister about her official talks with her Bangladeshi counterpart saying the entire gamut of bilateral relations came up in their discussion and she was very satisfied at the state of bilateral relations.

She said she had a very fruitful discussion with Bangladeshi officials on the projects under India's Line of Credit (LOC) whose implementation has been delayed.

Bangladeshi Foreign Minister A H Mahmood Ali, Premier's Advisor on International Affairs Gowher Rizvi, Bangladesh High Commissioner to India Syed Moazzem Ali, Bangladeshi Principal Secretary Kamal Abdul Naser Chowdhury, and Bangladeshi Foreign Secretary Shahidul Haque were present along with India's Foreign Secretary Joy Shankar and Indian High Commissioner to Bangladesh Harsha Vardhan Shingla.

Swaraj also handed over some memorabilia of the 1971 Liberation War to Hasina as a gift to the Bangladesh National Museum.

The memorabilia includes an Mi-4 helicopter, a PT76 tank, 106 mm recoilless anti-tank gun and some of the military equipment used by the joint forces during the war and a number of artefacts and documents like historical photographs, archival audio and video clippings, maps, battle records, newspaper clippings and documentaries.

Also on HuffPost India:

Union Cabinet Approves Massive Recapitalisation Plan Of Rs 2.11 Lakh Crore For State-Run Banks

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NEW DELHI -- In a stimulus package to boost the flagging economic growth, create jobs and increase credit flow, the cabinet on Tuesday approved a recapitalisation plan for state-run banks to the tune of Rs 2.11 lakh crore and a massive road infrastructure investment costing nearly Rs 7 lakh crore over the next five years.

Of the support to banks, a sum of Rs 1.35 lakh crore will be raised through recapitalisation bonds and the rest through budgetary support as well as market borrowings, Financial Services Secretary Rajiv Kumar disclosed at a media conference in the presence of Finance Minister Arun Jaitley and a battery of secretaries from the ministry.

Under the road connectivity programme at a cost of nearly Rs 7 lakh crore, the government will construct 84,000 km highways in the next 5 years. Of this, the Bharatmala project component will involve an outlay Rs 5.35 lakh crore that will generate 14.2 crore man-days of work.

Funding for the programme will be raised as debt from the market (Rs 2.09 lakh crore), private investments through PPP (Rs 1.06 lakh crore) and from accruals to the central road fund and toll collections (Rs 2.19 lakh crore).

Jaitley said that the economic blueprint to revive growth being presented follows extensive recent discussions on the state of the economy.

"You will recall the press conference last time, where I had mentioned that we will respond appropriately to the situation as it develops," he said.

"We have conducted analysis within the ministry and held detailed consultation with Prime Minister on the state of the economy. We have decided on the steps needed to sustain the growth momentum," he said.

"The unprecedented recapitalisation and the initiatives announced today (Tuesday) are expected to have a noticeable impact in the near term, contributing to accelerated economic activity, employment and growth of the economy," he added.

The public sector banks' recapitalisation comes in a context where their non-performing assets (NPAs), or bad loans, have reached the level of 82 per cent of their stressed assets, Kumar said.

"The NPAs of government owned banks have increased to the level of Rs 4.55 lakh crore between 2015 and 2017," he said.

"Of this, 12 cases, which have been referred to the NCLT (National Company Law Tribunal) account for Rs 1.75 lakh crore, or 25 per cent of all NPAs," he added.

Pointing out that the accumulated NPA figures reflect the result of "aggressive lending" in the past, Jaitley said the government's move to fund banks comes at a time when private sector investment has dwindled.

Chief Economic Advisor Arvind Subranmanian, who was also present at the briefing, clarified that the recapitalisation bonds would count as debt, while their exact nature would be made available in due course.

The government, however, denied that this support to banks would affect fiscal consolidation.

The Finance Minister said the banks would get Rs 18,000 crore under the Indradhanush plan.

Under the Indradhanush roadmap introduced in 2015, the government had announced infusion of Rs 70,000 crore in state-run banks over four years to meet their capital requirement in line with global banking risk norms, known as Basel-III.

In line with the plan, public sector banks were given Rs 25,000 crore in 2015-16, and a similar amount has been earmarked for the following years. Besides, Rs 10,000 crore each would be infused in 2017-18 and 2018-19.

This stimulus package comes after data from various sources showed India's GDP growth flagging under the twin impact of demonetisation and GST.

The IMF said in its latest World Economic Outlook that India's economic growth for 2017 and 2018 will be slower than earlier projections. The report cited the "lingering impact" of demonetisation and the Goods and Services Tax (GST) for the expected slowdown during the current and the next year.


Imtiaz Ali On Modern Romance, Women Characters In His Movies, And Why He Doesn't Regret 'Cocktail'

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While filmmakers often meet journalists in their office or their home (a space where they're most comfortable), Imtiaz Ali, in what is befitting, is hanging around a cozy, dimly-lit, obscure cafe in Andheri, a suburb in Western Mumbai.

It's a cafe you'd miss easily, one that you need to find. That's Imtiaz -- he, who famously made the quietly forgotten town of Ratlam famous all over the country. He, of train romances and bike rides that culminate in green fields with figurative boundaries.

Few filmmakers carry a signature style that separates their work from others and Imtiaz is one of them. There is an effortless realism in his films, a sense of ease in which his characters converse -- they often tend to verbalise their emotions. If you notice, his characters not only feel emotions, they talk about that feeling, as if the emotions won't be real if left unsaid.

While there is a sense of deep melancholy in his movies, there's also something very life-affirming. Whether it's the cathartic climax of Tamasha and Highway or the disruptively intense romance and non-conformism of Rockstar, ​​Imtiaz's influence as a filmmaker -- and his sway on pop-culture -- cannot be underestimated. At the same time, we must also address some of his shortcomings.

"If a female character is rescuing the male character in a film, then, in a way, I am just imitating life. Personally, I have seen that happen a lot of times. "

In this interview, the director talks about his cinema, his motivations and what love has come to mean to him.

The success of Jab We Met propelled you to a space where you became a unique voice of contemporary romance. There was almost an aspirational quality to the romance of Geet and Aditya. As a young man coming of age, I remember wanting to meet a Geet. Do you remember how the character was conceived? Was it modelled on someone?

Geet was not modelled on anyone, although I know of some girls, who actually behave and talk like that. After the film released, in all these 10 years, a lot of girls have come up to me and said that they are called 'Geet' in their circles. There are a lot of girls, who love to talk, and who feel they are their own favourites. But I hadn't particularly modelled her on anyone .

A self-loving girl who sees the best in everyone is a rare protagonist.

Yes, and more than just being a self-loving girl, Geet is a girl who instantly trusts everyone and says everything that comes to her mind, without any kind of a filter. She has a basic innocence and inherent positivity...

Yeah, an innocence that isn't corrupted by the ways of the world ...

Yeah, she is not corrupt, and also, even if she has bad experiences, what she takes away from them is not angst. Like, she had a bad experience with the guy selling water at that railway station. Her takeaway from that experience isn't negative. So I think, there is a certain positivity and bumbling naivety that characterises her. And yes, I have seen a lot of girls like that.

Kareena Kapoor and Shahid Kapoor in a still from 'Jab We Met'

Post Jab We Met, your movies have largely opened to polarising responses, Rockstar and Tamasha being two of the most prime examples of that. I feel Tamasha is your most complex film so far and Ranbir's finest performance. For me, the film is almost like a meditative, religious experience. However, what I do feel is that the film's female character, like in many of your films, functions solely to rescue the troubled male protagonist.

(Laughs) I don't know whether that's an allegation or a compliment. If a female character is rescuing the male character in a film, then, in a way, I am just imitating life. Personally, I have seen that happen a lot of times. I don't take it as a negative comment at all and that's really what I have to say about that 'allegation'.

"Women are more intelligent, aware and practical. They come up with solutions that men don't even imagine."

You are saying it comes from your own lived experiences or perhaps experiences of others who you happen to know of?

It is a lived experience. Of course, I have seen a lot of times when that has happened. Of course, guys have also gotten into trouble with girls but to me, that is mundane. I see a lot of women contributing positively to the lives of men and I have also seen and I have no shame in admitting this -- that I genuinely find women to be smarter than men. Women are more intelligent, aware and practical. They come up with solutions that men don't even imagine.

Well, that's great but this approach becomes problematic because you are looking at women in the context of men and from a male gaze.Are you are okay with that? You wouldn't want to do it differently?

No.

See, when I am making a story, believe it or not, I am not making a statement. There are 500 things that the characters of my films have said that I don't personally believe in. Why should every character endorse the view of one person? That would be so unfortunate. That would also be very limiting. I don't want that. I think there are things that Aditya (from Jab We Met) says, or Jordan (Rockstar) says, or Heer (Rockstar) says that I don't believe in. But they are not me. I am just the writer.

But they are an extension of your imagination and represent your worldview.

Well, not 100 per cent.

Of course they are an extension of my imagination. I, like every human being, when I take a decision, I am aware of the logic on both the sides -- whether I should go left or right. Whichever side I go, I know positives and negatives of both left and right. And my characters can represent left and right. They don't need to go into a direction that I, personally, in my life, would have gone. I, sometimes, don't even bother to think what I would have done in my life in that situation. I just feel that Geet could have done this, so, she is doing this. I am not her moral compass at all.

Ranbir Kapoor and Nargis Fakhri in 'Rockstar'

There is a cyclic process in your films where the characters realise they are in love with someone else, when they get or are about to get married. There is this awakening where another character makes them realise that the person they are in love with isn't the one for them. Where does that come from? What is so interesting about that conflict that you keep going back to it whether it's Socha Na Tha, Love Aaj Kal, Jab Harry Met Sejal, Rockstar and to an extent, Jab We Met?

Ummm. I don't think I have a good enough answer to this question really.

But it is a pattern, right?

Yes, of course, it is a pattern. I totally recognise the fact that they (characters) seem to change their minds. But it's not as if though... actually, I don't know where it is coming from. There are other patterns in my films too. Like there is a pattern of anti-establishment. Whether it is Geet running away from her house, or in Rockstar, him (Ranbir Kapoor's character, Jordan) saying 'Sadda Haq', sort of breaking out, there is this reluctance to conform to established norms. Even that doesn't directly come from my life. In the same vein, people changing their romantic muses, is also not influenced from my personal life. One lives and learns... One thing I would say -- what I thought love was, has changed completely. And it has been changing for a while. It's changed to an extent that I don't really use this word anymore. Is that a good enough answer? Because that's the only answer I have.

"If you ask me about my feelings of love, what I have understood is that love is just a direction, not the destination."

Let's talk about evolution of love. (There was) a point when commitment mattered a lot. That was also a time when choices were limited. Then there was a time when we became romantically democratic but commitment was still sacrosanct. But now, when romantic options are just a swipe away, people don't commit easily because everyone thinks there's something better out there. Because of the safety net of an easy alternative, which is so accessible, you don't value the current. At least that's what I feel. Thoughts?

You're right.

But here's what I feel. When you are talking about love, you perhaps think so, but you aren't really talking about someone else, say your lover. You are, in a way, just talking about your own self, about what you love or what you are looking for. And that is what needs definition. The other person, in my opinion, is just an object for you, just a vehicle to realise your own feelings. You know these are things, which I am telling you, because you are asking. I don't have answers for them. But if you ask me about my feelings of love, what I have understood is that love is just a direction, not the destination.

Interesting. I feel nobody can define love. But what we can do is look for its interpretation through art, literature, and cinema.

Yes, yes, yes absolutely. As a filmmaker, I look for life and I look for the meaning of love through the making of my own cinema. That's where my learning happens.

You know what I now find interesting is what you said before about your characters being non-conformists. Examine it closely and you see a template coming out of that non-conformism. What I am trying to see is, as a whole, you have started to conform to a template that you, yourself, have created. Do you question that sometimes?

Hmm, perhaps. I do question that and although I am unwilling to make a movie that does not naturally come to me or is organically interests me, I am looking to make different kinds of films. By this, I don't mean different genres. I just mean different in nature.

As you mentioned before, your lived experiences find a way into your films so do you feel as you grow older, your lived experiences get fewer? As a filmmaker do you find the very nature of that concept limiting?

No, I don't think that's limiting. When you grow old, different kinds of experiences happen. At every age, there are different kinds of intense experiences that happen. To be involved with life is, for sure, very important, to be involved with cinema, and to know what you have to say before you say it also very important. Lived experiences seep into your film, yes. But not in the obvious manner. Very subtly.

"My personal experiences in marriage has not made me cynical at all. I have always been misquoted about marriage."

About people leaving their partner for a different pursuit, if I may, does that come from your personal experience of marriage? Has that made you cynical about the very institution?

No. My personal experiences in marriage has not made me cynical at all. I have always been misquoted about marriage. So, sometimes I don't feel like talking about it because I know exactly where it will land up. Let me not say anything on this. I actually want to say something else...

It doesn't go with the narrative that the media wants to follow? Does that make you uncomfortable?

Yeah, because maybe I am trying to discover much about life in an interview and there are people who are often looking at (getting) the quotes.

So you are cynical about the media, not marriage.

(Laughs) Let's put it like that. I am just a little careful because I don't want to make the same mistake again and again. But often what is obvious is not what I have to say.

Diana Penty, Deepika Padukone, and Saif Ali Khan in a still from 'Cocktail.'

In 2012, you wrote a film called, Cocktail, which Homi Adajania directed. Despite being a hit, the film still remains contentious because of the way it depicted its women characters.

(Interrupts) See, the point is that if I don't direct the movie then I don't own the authorship of it.

But it's still yours, it's your writing.

Writing is interpreted in 500 different ways. You give me Mughal-e-Azam and I will make it something else if I am directing it.

In hindsight, how do you look at it (Cocktail)?

I don't think there was anything wrong in the way it was. In fact, how it was supposed to be was Veronica (Deepika Padukone's character in Cocktail) is the type that this guy (played by Saif Ali Khan) likes. The whole point was that he goes against his type because that particular person (Diana Penty's character) he likes a lot. It had nothing to do with somebody being Indian, or somebody being more acceptable to his family.

"I have never had a male or a female writer. As much as you feel there is gender-inequality in my films, I get a lot of female adulation because they feel women in my films are strong vis-a-vis some of the other movies. "

Do you then think the issue was in the storytelling there because the film is widely perceived as that (problematic)? There's also a slut-shaming angle to it as you see Veronica, who smokes and is more 'free' not getting the guy. The film sends the message that you can have 'fun' with her but wouldn't want to settle down with her. I am fairly certain you must have heard this many times before.

Yes, 100 times. And every time I say the same thing -- if I haven't directed it, I can't claim it. Nobody reads the script. The script that I wrote, people should actually read it. Not that I am saying that the director (Homi Adjania) messed it up but it just came through differently than the way it was intended to.

Anushka Sharma and Shah Rukh Khan in a still from 'Jab Harry Met Sejal.'

Have you processed the response towards Jab Harry Met Sejal?

Yes. The film is nice. I like the film and I will have my own opinion. I don't read what the critics say, anyway. I am not here to control public opinion or condemn or approve it. But I will have my own opinion and the good thing is that cinema is everlasting.

So, you stand by everything in the film? (the film was criticised in the way Sejal, the film's female lead was depicted. Imtiaz has previously defended his decision here)

100 per cent. Of course, I have made mistakes in every movie and I am sure I must have made some mistakes in Jab Harry Met Sejal as well. But I am not less proud of it than any other film of mine, for sure.

A lot of people believe that if you collaborate with a female writer, the gender-imbalance in your films will correct itself.

Maybe. But I cannot take each suggestion from everybody, then do it and see how it goes. I still have to do with my own mind. I will have to go by own instinct. People do have opinions, and I respect them. I am not bothered about that (negative response). I have never had a male or a female writer. As much as you feel there is gender-inequality in my films, I get a lot of female adulation because they feel women in my films are strong vis-a-vis some of the other movies. So, somebody's opinion is not the gospel truth.

Also see on HuffPost:

Dad Arrested In Death of 3-Year-Old Now Says She Choked On Milk

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A Texas father admitted moving the body of his 3-year-old daughter from the family’s home after she choked on milk and died, according to an arrest affidavit, changing his original story that she had disappeared after he had put her outside a few hours before dawn as punishment. 

Wesley Mathews, Sherin Mathews’ adoptive father, offered the new account to detectives with the Richardson Police Department on Monday, roughly 24 hours after the missing girl’s body was found near the home.

The recovery of the body, which police said was positively identified on Tuesday using dental records, capped a two-week search. A cause of death has yet to be determined.

Sherin Mathews' father initially said she vanished after he left her outside earlier this month as punishment.

Police said Mathews provided the new details during a voluntary visit to police headquarters with his lawyer. He said that in the early morning hours of Oct. 7, he engaged in a struggle with the girl over her refusal to drink milk in the home’s garage. He then “physically assisted her” with drinking it, and she began to choke.

“She was coughing and her breathing slowed. Eventually, Wesley Mathews no longer felt a pulse on the child and believed she had died,” the affidavit said.

Mathews said he removed the child’s body from his home. It was eventually recovered in a culvert beneath a road by a K-9 team, police said.

Wesley Mathews was arrested on Monday on a new charge stemming from the death of his 3-year-old daughter, whose body was found over the weekend.

Mathews, whose 4-year-old biological daughter has been in foster care since Sherin’s disappearance, previously told police that the child vanished after he left her outside at about 3 a.m. as a punishment for not drinking her milk.

He was arrested on Monday night for felony injury to a child and ordered held on $1 million bond. The same day of Sherin’s disappearance, Mathews was charged with abandoning or endangering a child. He posted a $250,000 bond shortly thereafter. 

Mathews wife has not been charged with a crime and has told police that she was asleep at the time of the child’s disappearance, authorities have said.

Sherin was adopted by the Mathews about two years ago from an orphanage in India. She was malnourished at the time and was on a special diet to gain weight, police told the Washington Post.

Authorities, at the time of her disappearance, also described her as having “developmental issues and limited verbal communication skills.”

Mathews’ lawyer did not immediately respond to a request for comment.

Also on HuffPost

Cate Blanchett Slams Steve Bannon To Make An Excellent Point About Feminism

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On Monday, Cate Blanchett stunned in a red striped Givenchy dress and encouraged women to wear whatever they want while taking home the Style Icon Award at the InStyle Awards 2017.

During her acceptance speech, the Oscar winner made a humorous comparison in order to make a stellar point about the way women present themselves.

“Women like looking sexy, but it doesn’t mean we want to fuck you,” Blanchett said at the awards show, per InStyle. “No one says to Steve Bannon, ‘You look like a bag of trash. Do you want me to throw you out?’”

She also added of the hate so many women receive online for what they wear:

“But the comments that get said about what women wear on the red carpet — I mean. If you troll through those trolls on the Internet, just don’t.”

That’s right, trolls! Cate and her fab Givenchy dress do not have time for your foolishness.

This 'Stranger Things' Spoof Is A Freakin' Good Summary Of Season 1

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Stranger Things” returns to Netflix at the end of October — and this spoof video could be the perfect refresher for what went down in Season 1:

YouTube parody masters “The Hillywood Show” ― aka sisters Hilly and Hannah Hindi ― summarize the story so far in the clip, with a little help from a reworked version of Rick James’ “Super Freak.”

Using real locations from the show, they reenact key scenes with their own comedic twist.

Check out the full segment above, and the behind-the-scenes footage below:

“Stranger Things” Season 2 premieres Oct. 27 on Netflix.

Also on HuffPost

Former Employee Says Weinstein 'Orally Forced Himself On Me' While She Was Menstruating

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Another woman has come forward to level allegations of sexual assault against Harvey Weinstein.

Mimi Haleyi, a former production assistant for the Weinstein Co., accused the Hollywood mogul of forcing himself on her and orally sexually assaulting her in 2006 while she was on her period.

She spoke Tuesday at a news conference in New York with her lawyer, Gloria Allred. Allred is also representing other Weinstein accusers, former actresses Louisette Geiss and Heather Kerr.

Haleyi said she first met Weinstein in 2004 while in her 20s at the London premier of the film “The Aviator.” She said their paths crossed again in 2006 at the Cannes Film Festival and that she broached the prospect of working for his company. Weinstein invited her to meet him at his hotel room, which she did one afternoon, she said.

After “a few minutes of normal conversation,” he tried to persuade her to give him a massage, she said. Instead, she said she left.

“By that time I was crying, as I felt completely humiliated and stupid for having been excited about meeting with him,” Haleyi said.

After the incident, she said Weinstein got in touch with her and she went to work on one of his company’s television shows in New York. Shortly after that job wrapped up, Weinstein asked Haleyi to accompany him to Paris, she said.

“I declined, as this seemed like an invitation of a romantic nature,” she said. “He didn’t like that answer.”

Weinstein allegedly showed up to her apartment in New York and “physically forced himself in through the door, pleading with me to come to Paris,” she said, but she continued to decline.

After his return for Paris, Haleyi said she agreed to meet him at his apartment in Manhattan. “I wanted to maintain a good relationship with him,” she said.

They watched television for a few minutes, but soon “he was all over me, making sexual advances,” she said.

“I said, ‘I am on my period. There is no way this is going to happen. Please stop.’ He wouldn’t take no for an answer,” Haleyi said.

Weinstein allegedly backed her into a room “which was not lit but looked like a kid’s bedroom with kids’ drawings on the wall,” she said.

“He held me on the bed, I tried to get him off me but … he was extremely persistent and physically overpowering,” she said. “He orally forced himself on me while i was on my period. He even pulled my tampon out. I was mortified. I was in disbelief and disgusted.”

After the alleged assault, Haleyi said Weinstein rolled over on his back and said “Don’t you feel like we’re so much closer now?”

“No,” she said she replied.

New York Times story earlier this month first disclosed sexual harassment complaints against Weinstein spanning decades. A New Yorker story followed days later with more allegations. Since then, he has been accused of harassment and sexual assault by dozens of women, with allegations including rape and forcing women to watch him masturbate.

A spokeswoman for Weinstein has previously said that “any allegations of non-consensual sex are unequivocally denied” by him. 

Allred called Haleyi’s accusations “a new low” for Weinstein. Allred’s daughter, Lisa Bloom, had been one of Weinstein’s lawyers, but as the allegations against him escalated, she dropped him as a client.  

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